Connects: Arts+Culture

Education · Bloomberg Connects

Connects: Arts+Culture icon
2.2K ratings
4.3
Installs
1M+
Price
Free
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Connects: Arts+Culture screenshots

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If you plan trips around exhibitions, or you keep a mental list of museums you hope to see one day, Connects: Arts+Culture is built for you. It gathers guides to more than 1,000 museums, galleries, sculpture parks, gardens and other cultural spaces into one free app, so the research that normally means jumping between websites and ticket pages can happen in one place. The pitch is simple: pick a venue, look at what it offers, and decide what you want to see.

The other half of the audience is people who cannot get to these places at all. The app was created by Bloomberg Philanthropies to widen access to what cultural organizations hold, and its content is meant to work both for visitors walking the galleries and for anyone exploring from home. That dual purpose shapes almost everything about it, from the way exhibitions are presented to the kind of material the partner institutions contribute.

It is free to download and free to use, with no advertising and no in-app purchases, which matters when so many culture apps push you toward a ticket or a shop. Over a million installs and a 4.3 average from more than 2,200 ratings suggest it has found a real audience since its December 2019 release. What follows is what the app does, what it asks of you, and how I would approach it.

Guides that come from the institutions themselves

The feature the developer leads with is the interactive guide, and the important detail is who makes it. Each participating museum, gallery or garden supplies its own multimedia content, including video and audio, along with behind-the-scenes material and selections curated by artists and experts. You are not reading a generic summary written by an outside team; you are getting the institution's own framing of its collection. For anyone who has stood in front of a painting wondering what they were supposed to notice, that is the appeal.

The catalog is broad rather than deep in any single direction. The app includes venues such as The Met, MoMA, the Guggenheim, the Whitney, the Andy Warhol Museum, La Biennale di Venezia, the National Portrait Gallery in London, the Mori Art Museum in Tokyo and the Yorkshire Sculpture Park, alongside gardens and outdoor sites like the New York Botanical Garden, Storm King Art Center and the Central Park Conservancy. That spread is the point: modern art, old masters, photography, sculpture in a field and botanical collections all sit under one roof.

New institutions join every month, according to the developer, so the catalog is a moving target rather than a fixed set. If a particular museum is not there yet, it may appear later; if you follow a specific collection, it is worth checking back periodically rather than assuming the list is final. The range of places covered is the strongest argument for keeping the app installed between trips.

Planning tools and on-site lookup

Two features carry the practical side of a visit. The first is a set of planning tools that let you map out a visit in advance, sketching what you want to see before you leave home. The second is a lookup system: on site, you enter a number tied to a specific object and pull up information about something you came across unexpectedly. That combination covers both the organized visitor and the wanderer, and it is the part of the app I would expect to use most on an actual trip.

The lookup idea is what separates this from a stack of bookmarked museum websites. Exhibitions are full of things that catch your eye without being on your list, and having a quick way to identify them without hunting for a label or a staff member is genuinely useful. The developer describes the guides as interactive, with the multimedia material sitting alongside the objects rather than in a separate section.

Because the content is created by the partner organizations, quality will vary from one venue to the next. A large museum with a media team can produce substantial audio and video; a smaller gallery may offer less. That is the trade-off of an aggregator model, and it means the experience is only as rich as the institution behind each guide. I would treat the app as a set of doors into different collections rather than a single uniform product.

What it costs and what it needs

On cost, the picture is unusually clean. The app is free, with no subscription, premium tier or paid unlock, and it is presented as a philanthropic effort to make cultural collections more accessible. For a category where apps often double as ticket-selling tools, that absence is worth noting.

The guides are tied to participating institutions, so what you get for a given city depends on which local organizations have signed on. Checking coverage before a trip is the sensible first step.

The other thing to understand is that the content is designed to work in two modes. You can use it on site, with the lookup numbers, or you can use it on its own, away from the venue, as a way of exploring exhibitions and collections remotely. That second mode is what makes the app useful to people who are not traveling at all, and it is where the audio and video material does most of its work.

How I would use it

My approach would be to treat the app as two tools in one and use them at different moments. Before a visit, the planning features are the ones to lean on: pick the venue, look through what it offers, and note the exhibitions or objects you do not want to miss. That turns a sprawling museum into something closer to a route, which is especially helpful when your time on site is limited.

During the visit, the lookup numbers take over. Rather than trying to follow a fixed plan, you can let the collection lead and pull up context when something catches your attention. This is where the institution-made audio and video pays off, because the commentary comes from the people who know the collection best. If you are the type who reads every label, expect to spend longer than you planned.

Between trips, the app works as a browsing tool. The multimedia guides can be explored without being anywhere near the building, which makes them reasonable background listening or viewing for an artist or movement you want to understand better. Given that new partners join monthly, a periodic look through the catalog is more rewarding than a single download-and-forget session. The recent update brings performance and usability improvements, keeping the mechanics current without changing what the app is for.

A free guide worth keeping on your phone

Connects: Arts+Culture does one job and does it without asking for money: it puts institution-made guides to a large set of museums, galleries, gardens and cultural spaces in one place, with planning tools for visits and lookup numbers for the gallery floor. The content is only as good as each partner's contribution, and coverage depends on which organizations have joined, but the model is sound and the price is hard to argue with. It is a 4.3-rated app with more than a million installs, and the concept explains why.

It suits people who plan cultural trips, travelers who want context before they walk into a collection, and anyone who follows art and design from a distance. If you are looking for a single guide to one specific museum, the app may or may not cover it, so check the catalog first. For everyone else, it is a sensible free addition to your phone, useful on site and still useful when you are nowhere near a gallery.

The short verdict

A free, ad-free guide to over 1,000 cultural institutions, best for people who plan museum visits or follow art from home.

What's new in version 2026.9.22

Performance and usability improvements.

App specs

  • Version2026.9.22
  • UpdatedSeptember 25, 2026
  • Downloads1M+
  • RequiresAndroid 8.0+
  • PriceFree
  • Age ratingEveryone

Connects: Arts+Culture: frequently asked questions

Is Connects: Arts+Culture really free?

Yes. The app is free to download and free to use, and it carries no advertising and no in-app purchases. The developer, Bloomberg Philanthropies, describes the project as a way of making cultural collections more accessible rather than a commercial product.

Do I have to be at a museum to use it?

No. The guides are designed to work in two ways: on site, where you can use lookup numbers to get information about objects as you encounter them, and on their own, away from the venue. That second mode lets you explore exhibitions and collections remotely, which is part of how the app is meant to widen access.

Which museums and cultural spaces are included?

The catalog covers more than 1,000 museums, galleries, sculpture parks, gardens and cultural spaces, with more added every month. Named participants include The Met, MoMA, the Guggenheim, the Whitney, the Andy Warhol Museum, La Biennale di Venezia, the National Portrait Gallery in London and the Mori Art Museum in Tokyo, along with outdoor sites such as Storm King Art Center and the New York Botanical Garden.

What kind of content does each guide contain?

Each participating institution supplies its own material, including video and audio, behind-the-scenes features and selections curated by artists and experts. Because the content comes from the organizations themselves, the depth of any individual guide reflects what that institution has chosen to contribute.

What has changed in the latest version?

The most recent update is described as performance and usability improvements, so it is a maintenance release rather than a change to how the app works. The guides, planning tools and lookup numbers remain the core of the experience.

Pros

  • Free with no ads or in-app purchases
  • Guides to over 1,000 cultural spaces
  • Content created by the institutions themselves
  • Planning tools plus on-site lookup numbers
  • Works on site or entirely remotely

Cons

  • Coverage depends on which institutions have joined
  • Content quality varies by partner organization
  • Only useful for participating venues

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